Nathalie Santis Nathalie Santis

The Art of Thrifting

The Art of Thrifting

In a world where fast fashion often dominates our closets, thrifting is a way to honor the artistry of fashion while treading lightly on the planet. Beyond being a budget-friendly alternative, thrifting represents a shift in how we consume and value clothing. It’s more than just a shopping experience; it’s a movement that combines sustainability, creativity, and individuality.

The environmental impact of fast fashion is staggering—landfills overflowing with discarded garments, rivers polluted with dye runoff, and millions of tons of textiles wasted annually. Thrifting offers a simple yet powerful solution. By choosing second-hand pieces, we extend the lifecycle of garments and reduce demand for mass production. Every thrifted item represents a step away from overconsumption and toward a circular fashion economy. But sustainability doesn’t mean sacrificing style. Thrift stores are treasure troves filled with unique pieces that tell a story. A vintage blazer, a pair of worn-in Levi’s, or a retro handbag can elevate an outfit while connecting us to the fashion of another era. When we thrift, we create an opportunity to mix and match trends, layering our personal style with history and character.

Thrifting is not just shopping; it’s an experience. Walking into a thrift store, you’re greeted with an array of colors, patterns, and textures, often with no plan in mind. It’s a creative exercise to imagine how an oversized sweater might pair with tailored trousers or how a bold print dress could become the centerpiece of your wardrobe. The best part of it all is that thrifting allows you to take risks, try new trends, and discover what truly resonates with your personal style. Each find is a small triumph, a testament to your resourcefulness and creativity.

Adopting thrifting as a lifestyle means embracing the imperfections of pre-loved clothing. It’s about recognizing the value in what others may overlook and finding beauty in what’s been discarded. Thrifting challenges us to rethink the way we view fashion—not as something disposable, but as something enduring. As someone who has spent years immersed in the world of fashion, I’ve found that thrifting teaches patience, sharpens your eye for quality, and nurtures a deeper appreciation for craftsmanship. It’s a reminder that style isn’t about price tags or brand names; it’s about the stories we tell through what we wear.

By choosing second-hand, we can redefine the way we consume, leaving a positive impact on the planet and the people around us. In the words of Vivienne Westwood, “Buy less. Choose well. Make it last.” Thrifting embodies this philosophy, proving that fashion can be meaningful, ethical, and endlessly inspiring.

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Nathalie Santis Nathalie Santis

Cancel Culture

Cancel Culture

How many of you have ever posted a group picture with your friends on Instagram or had a fake rumor spread about you? What if I told you those actions could get you canceled?

Now, I understand some of you may have just started using social media and might not fully understand cancel culture. However, it technically falls under the category of cyberbullying. Cancel culture has been criticized as a toxic and negative way of oversimplifying complex issues, encouraging harsh judgments that can lead to severe consequences. What started as a joke—when someone tweeted that a celebrity was "canceled" for liking the color orange—has become anything but funny. It has escalated to the point where even former President Obama warned against its misuse. At the Obama Foundation Summit, he cautioned that cancel culture perpetuates the idea that a person should be defined solely by their worst mistakes.

For example, Billie Eilish faced backlash and was "canceled" after posting behind-the-scenes pictures from her Lost Cause music video with the caption "I love girls." Many accused her of queerbaiting, claiming she was exploiting the LGBTQ+ community for attention, as she had previously stated she is straight. However, without the caption, the photos simply show her and her cast members on set. Her caption appears to express appreciation for her cast, which is common among celebrities. Yet, the post stirred significant controversy.

Similarly, Johnny Depp faced the destructive effects of cancel culture when he lost a defamation case involving allegations of abuse by his ex-wife, Amber Heard. This led to his professional downfall, with Hollywood severing ties with him. Later, Depp's former long-term partner and ex-girlfriend, actress Winona Ryder, came forward to defend him, asserting that the accusations did not align with the person they knew. His former assistant also testified that Heard had subjected him to years of abuse. Despite the revelations, Depp's reputation and career suffered greatly, proving his point when he said, “Nobody is safe from cancel culture.”

Even children’s literature hasn’t been spared. Six Dr. Seuss books were pulled from publication after critics claimed they portrayed harmful stereotypes. However, Samuel Karnick, a director at the Heartland Institute, argued that Dr. Seuss's illustrations depict everyone in exaggerated, ridiculous ways—not just specific ethnic groups. This raises the question of whether the backlash was warranted.

Many celebrities have spoken out against cancel culture, including NFL player Aaron Rodgers. He described it as stemming from people’s personal dissatisfaction or enjoyment of tearing others down. Rodgers shared his own experience, where he was criticized as selfish and entitled for focusing on his mental health during the offseason.

Ultimately, if someone makes a mistake or engages in behavior that could be considered “cancelable,” it shouldn’t destroy their entire career. It's crucial to be mindful of what we post online and to recognize how drastically it can affect others. As Obama wisely said, “The world is messy... and even people who do really good stuff have flaws.”

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Nathalie Santis Nathalie Santis

VMFA x NFT Controversy

VMFA x NFT Controversy

Diviner’s Figure representing Belgian Colonial Officer, Maximilien Balot, 1931.

The Virginia Museum of Fine Arts (VMFA) has recently faced backlash over its handling of a Congolese sculpture in its collection, particularly regarding the use of NFTs (non-fungible tokens). This colonial-era sculpture, created by Congolese artisans, holds profound cultural and historical significance to the Democratic Republic of Congo.

At the heart of the controversy is the Congolese Plantation Workers Art League (CATPC), an artists’ collective advocating for the return of the sculpture to its homeland. VMFA has consistently denied requests to loan the artifact back to Congo, prompting CATPC to take matters into their own hands. In an innovative yet contentious move, the collective created and sold NFTs based on the sculpture’s image. Their goal? To raise funds for land restoration projects in Congo and symbolically reclaim cultural heritage they argue rightfully belongs to their people.

This move has sparked debates on cultural ownership, ethical repatriation, and intellectual property rights. VMFA criticized the creation of these NFTs, labeling them unauthorized and a breach of trust. The museum claims CATPC used images of the sculpture taken from its website without permission, raising questions about whether museums hold intellectual property rights over digital reproductions of artifacts in their collections. Conversely, CATPC defends their actions as a necessary step in reclaiming heritage, circumventing traditional gatekeepers, and channeling profits back into their community.

The controversy highlights a broader ethical dilemma facing museums that are exploring NFTs. Proponents see NFTs as a valuable revenue source, especially for institutions recovering from financial hardships caused by the COVID-19 pandemic. For example, museums like the Uffizi Gallery and the Hermitage Museum have successfully ventured into the NFT market, offering exclusive digital editions of iconic artworks. Yet critics caution against monetizing cultural artifacts with colonial histories, arguing it could perpetuate existing inequities and exacerbate tensions over ownership and restitution.

Environmental concerns also complicate the integration of NFTs into museum practices. Although advancements like Ethereum’s transition to a more sustainable proof-of-stake system have mitigated some environmental impact, questions linger about the true accessibility of NFTs. Critics argue that NFTs often cater to wealthy collectors rather than democratizing access to art, especially when tied to artifacts with fraught colonial pasts.

The VMFA’s case underscores the complex intersections of technology, ethics, and cultural heritage in the evolving art world. As museums grapple with how to balance innovation with responsibility, this debate serves as a crucial reminder of the need for thoughtful engagement with the communities whose histories and artifacts they steward.

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